Students at the Rose: The Future of Indigenous Storytelling - The FOLD

Students at the Rose: The Future of Indigenous Storytelling

Session Description

Celebrate the launch of Swift Water Books, a new Indigenous publishing imprint with Penguin Random House Canada, at the 2026 Festival of Literary Diversity. Designed for high school students, this dynamic in-person event at Brampton’s Rose Theatre explores why Indigenous-led publishing matters, how coming-of-age stories resonate through an Indigenous lens, and the barriers Indigenous writers continue to navigate within the industry. Acclaimed author David A. Robertson joins Kim Spencer — one of the imprint’s first published authors — for an inspiring conversation about story, sovereignty, and the future of Indigenous literature.

Educators can book tickets online by heading to the Arts Adventure page and entering the code TEACH into the promo code box. Tickets can also be purchased by phone (905 874 2844 Ext. 62803 or 62804) or by email boxofficeEDU@brampton.ca.

Sponsored by Penguin Random House Canada.

Featured Speaker(s)

An Indigenous man with dark hair and a graying beard, wearing a black shirt, smiling into the camera.
David A. Robertson
Bio
Kim Spencer_Headshot
Kim Spencer
Bio
An Indigenous man with dark hair and a graying beard, wearing a black shirt, smiling into the camera.

David A. Robertson

David A. Robertson (he/him) is a two-time Governor General’s Literary Award winner and recipient of the TD Canadian Children’s Literature Award and the Writers’ Union of Canada Freedom to Read Award. He has earned wide recognition for his work as a writer for children and adults, as well as a podcaster, public speaker, and social advocate. He was honoured with an honorary Doctor of Letters from the University of Manitoba in 2023 and a Doctor of Laws from the University of Lethbridge in 2025. A member of Norway House Cree Nation, he lives in Winnipeg and works nationally and internationally today.

Kim Spencer_Headshot

Kim Spencer

Kim Spencer (she/her) is an award-winning, bestselling author. Her debut novel, Weird Rules to Follow, won multiple awards, including a 2024 Pacific Northwest Book Award, a 2023 TD Canadian Children’s Literature Award, and a 2023 Jean Little First-Novel Award. Named to both the USBBY Outstanding International Books list and the IBBY Honour List, the book also received a Kirkus starred review and was a 2023 Governor General’s Literary Award finalist. Kim is a proud member of the Gitxaala Nation and resides in Northern British Columbia.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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