Politics of the Plot Meet-and-Greet - The FOLD

Politics of the Plot Meet-and-Greet

Session Description

Meet the authors from the panel and from the festival at our post-panel meet-and-greet taking place in the Rose Theatre’s Rotunda. Make sure to get your books stamped and signed, and connect with other readers!

Featured Speaker(s)

Sharon Bala_Headshot
Sharon Bala
Bio
Yiming Ma_Headshot
Yiming Ma
Bio
Liann Zhang_Headshot
Liann Zhang
Bio
Antonio Michael Downing_Headshot
Antonio Michael Downing
Bio
Sharon Bala_Headshot

Sharon Bala

Sharon Bala’s (she/her) second novel, Good Guys, was published in January. Publishers Weekly calls it “quietly profound” and a “blackly comic tale.” Her best-selling debut novel, The Boat People, won a Newfoundland & Labrador Book Award and the Harper Lee Prize for Legal Fiction. It was shortlisted for several awards and is in translation in four languages. Sharon is the Creative Non-Fiction editor at Riddle Fence and a member of The Port Authority, a St. John’s writing group.

Yiming Ma_Headshot

Yiming Ma

Born in Shanghai, Yiming Ma (he/him) spent a decade in tech and finance before writing the dystopian novel These Memories Do Not Belong to Us, named a Spotify Editors’ Pick, longlisted for the Goodreads Choice Award, and featured on Best Books of 2025 lists by Electric Literature, Debutiful, PEN America and elsewhere.

Yiming lives in Toronto. He attended Stanford for his MBA, and Warren Wilson for his MFA. His stories and essays appear in the New York Times, The Guardian, The Globe and Mail, Florida Review, and elsewhere. His story “Swimmer of Yangtze” won the 2018 Guardian 4th Estate Story Prize.

Liann Zhang_Headshot

Liann Zhang

Liann Zhang (she/her) is a second-generation Chinese Canadian who splits her time between Vancouver, British Columbia and Toronto, Ontario. After a short stint as a skincare content creator, she graduated from the University of Toronto with a degree in psychology and criminology. Her debut novel, Julie Chan Is Dead, was an instant bestseller. She lives with her two cats, Juice and Bean.

Antonio Michael Downing_Headshot

Antonio Michael Downing

Antonio Michael Downing (he/him) is the author of the acclaimed memoir Saga Boy and children’s book, Stars in My Crown. Antonio Michael is the current host of the CBC Radio program The Next Chapter where he discusses books with authors and columnists. He spends his time writing books, singing songs, and trying to make his grandma proud. Black Cherokee is his debut novel.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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