After Canada Reads - The FOLD

After Canada Reads

Session Description

In this virtual panel discussion, Executive Director and Canada Reads superfan Jael Richardson returns to moderate our annual Canada Reads conversation with 2026 finalists. Join us for a lively, thoughtful discussion about craft, competition, and the stories that captured the nation’s attention on this year’s Canada Reads.

Watch on YouTube Live or join us in the virtual platform where passholders can join an intimate virtual meet-and-greet and connect directly with the authors immediately following the discussion.

Sponsored by Penguin Random House Canada.

Featured Speaker(s)

Billy-Ray Belcourt_Headshot
Billy-Ray Belcourt
Bio
Tyler Hellard_Headshot
Tyler Hellard
Bio
Loghan Paylor_Headshot
Loghan Paylor
Bio
Joss Richard_Headshot
Joss Richard
Bio
A Black woman with red lipstick and brown braids wearing green eye glasses wearing a green cardigan, blue dress and white button up shirt.
Jael Richardson
Bio
Billy-Ray Belcourt_Headshot

Billy-Ray Belcourt

Billy-Ray Belcourt (he/him) is from the Driftpile Cree Nation in northwest Alberta, Treaty 8 territory. He holds a Ph.D. in English from the University of Alberta. He is the author of This Wound is a World, NDN Coping Mechanisms, A History of My Brief Body, A Minor Chorus, Coexistence, and, most recently, The Idea of an Entire Life. He is an Associate Professor in the School of Creative Writing at the University of British Columbia. He lives in Vancouver.

Tyler Hellard_Headshot

Tyler Hellard

Tyler Hellard (he/him) lives in Calgary with his wife and kids. His writing has appeared in Avenue Magazine, Canadian Geographic, Create Calgary, THIS Magazine, The Walrus, and on CBC Radio. His debut novel, “Searching For Terry Punchout,” was shortlisted for the 2019 Amazon First Novel Award, the 2019 Kobo Emerging Writers’ Prize and Canada Reads 2026.

Loghan Paylor_Headshot

Loghan Paylor

Loghan Paylor (they/them) is a queer, trans writer whose first novel, The Cure for Drowning, was shortlisted for Canada Reads 2026, longlisted for the Giller Prize, named a Globe and Mail Best Book, and a finalist for the Jim Deva Prize for Writing That Provokes. Their work has also appeared in Room, Prairiefire, and on the longlist for the CBC Nonfiction Prize. A graduate of The Writer’s Studio at Simon Fraser University, they have an MFA in creative writing from the University of British Columbia and divide their time between teaching, writing, and co-owning a game company.

Joss Richard_Headshot

Joss Richard

Joss Richard (she/her), international bestselling author of It’s Different This Time, is an editorial & social director who’s worked at companies such as Hello Sunshine and Reese’s Book Club, The Walt Disney Company, The Ellen DeGeneres Show, Netflix, and Paramount. She’s also the creator and host of Three’s Company, Too: A Rewatch Podcast and has been formally recognized with a Daytime Emmy Award. Born in Toronto, Ontario, to Filipino immigrant parents, Richard currently lives and works in Los Angeles, California.

A Black woman with red lipstick and brown braids wearing green eye glasses wearing a green cardigan, blue dress and white button up shirt.

Jael Richardson

Jael Richardson (she/her) is the founder and Executive Director of FOLD and the co-host of Into the FOLD: A Book and Lit Fest podcast. She has written a memoir, a novel and three children’s picture books. Her debut novel, Gutter Child, was a finalist for the Amazon First Novel Award and the White Pine Award, and her middle grade anthology Today I Am: 10 Stories of Belonging was a finalist for the Ruth and Sylvia Schwartz Children’s Book Award. Richardson holds an MFA in Creative Writing from the University of Guelph and lives in Brampton, Ontario.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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