Accessible by Design - The FOLD

Accessible by Design

Session Description

Literary spaces are strongest when everyone can fully participate. This panel explores disability, accommodations, and accessibility across literary experiences—from festivals and community spaces to publishing and professional opportunities—while also addressing the barriers and challenges that continue to shape participation. Join us for a conversation about how readers, writers, and industry professionals can help create more thoughtful, inclusive literary spaces.

Featured Speaker(s)

Ardra Shephard_Headshot copy
Ardra Shephard
Bio
Jackie Khalilieh_Headshot
Jackie Khalilieh
Bio
Headshot of a white woman with long brown hair wearing a teal shirt smiling.
Amanda Leduc
Bio
Ardra Shephard_Headshot copy

Ardra Shephard

Ardra Shephard (she/her) is the author of Fallosophy: My Trip Through Life with MS (Douglas & McIntyre, 2025), nominated for the 2026 Forest of Reading® Evergreen Award™. She is the blogger and podcaster behind the award-winning Tripping On Air, and the host and creator of television’s Fashion Dis (AMI+). A columnist with Healthline’s BezzyMS (“Ask Ardra Anything”), Ardra is a sought-after writer, consultant, and speaker. Named one of The Kit’s Changemakers, she is a leading voice in the disability rights movement, serving on multiple advisory boards advancing accessibility and inclusion in Canada and beyond.

Jackie Khalilieh_Headshot

Jackie Khalilieh

Jackie Khalilieh (she/her) is a Palestinian Canadian writer with a penchant for Samoyeds, to-do lists and staying up too late. She is passionate about positive representation within her writing. Something More, her debut YA novel, was shortlisted for the Ruth & Sylvia Schwartz Award, as well as the Snow Willow Award, and was selected for several Best Books of 2023 lists, including the New York Public Library and Audible Canada among others. Her second novel, You Started It, was a JLG Gold Star Selection. She resides just outside Toronto, Canada, with her husband and two daughters, and Samoyed Pearl.

Headshot of a white woman with long brown hair wearing a teal shirt smiling.

Amanda Leduc

Amanda Leduc is a Canadian writer and disability rights advocate. She is the author of DISFIGURED: ON FAIRY TALES, DISABILITY, AND MAKING SPACE, which was shortlisted for the 2020 Governor General’s Award in Nonfiction. She is also the author of the novels THE CENTAUR’S WIFE and THE MIRACLES OF ORDINARY MEN. Her newest novel, WILD LIFE, was published by Random House Canada in spring 2025.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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