2025 FOLD Challenge - July - The FOLD

2025 FOLD Challenge — July

Graphic Novel by an Author from a Marginalized Community

By Monica Tang

This month’s reading challenge is to read a graphic novel by an author from a marginalized community.

Graphic novels demonstrate the power of visual storytelling by combining words and pictures, often in the form of comics, to share stories of fiction, non-fiction, memoirs and more.

The book that has shaped the way we read that inspired this month’s challenge is Denison Avenue written by Christina Wong and illustrated by Daniel Innes.

In addition to Denison Avenue, here are three other graphic novels written by Canadian authors to check out.

Black and white illustration of a Chinatown street. Denison Avenue by Daniel Innes and Christina Wong.
Denison Avenue by Christina Wong and Daniel Innes (ECW Press)

A moving story told in visual art and fiction about gentrification, aging in place, grief, and vulnerable Chinese Canadian elders.

Bringing together ink artwork and fiction, Denison Avenue by Daniel Innes (illustrations) and Christina Wong (text) follows the elderly Wong Cho Sum, who, living in Toronto’s gentrifying Chinatown–Kensington Market, begins to collect bottles and cans after the sudden loss of her husband as a way to fill her days and keep grief and loneliness at bay. In her long walks around the city, Cho Sum meets new friends, confronts classism and racism, and learns how to build a life as a widow in a neighborhood that is being destroyed and rebuilt, leaving elders like her behind.

A poignant meditation on loss, aging, gentrification, and the barriers that Chinese Canadian seniors experience in big cities, Denison Avenue beautifully combines visual art, fiction, and the endangered Toisan dialect to create a book that is truly unforgettable.

Denison Avenue is one of the FOLD’s 12 Books that Shaped the Way We Read.

Author Bio Buy Book
Bright yellow comic book cover featuring the bold black title “GLEEM” by Freddy Carrasco. Below the text, a stylized blue-toned close-up of a character's eye is fragmented into square panels.
GLEEM by Freddy Carrasco (Drawn & Quarterly)

Enter a future of defiant vitality in GLEEM.

Imbued with cyberpunk attitude and in the rebellious tradition of afrofuturism, GLEEM is drawn with a fierce momentum hurtling towards a future world. Carrasco’s distinct cinematic style layers detailed panels and spreads, creating a multiplicity of perspectives, at once dizzying and hypnotic. Vignettes unspool in proximity to our own social realities and expand into the outer layers of possibility. Whether in the club or a robot repair workshop, the characters in these three interconnected stories burst across frames until they practically step off the page.

A boy becomes bored at church with his grandmother until he tries a psychedelic drug. A group of friends are told that they need a rare battery if they want any chance of reviving their friend. Street style and cybernetics meet and burst into riotous dancing. Kindness and violence might not be as distant from each other as we think. GLEEM unsettles with a confidence that could make you believe in anything.

Author Bio Buy Book
Cover of Something, Not Nothing by Sarah Leavitt. A skeletal figure lies beside blooming purple flowers, rendered in a bold, expressive style. The text reads “A story of grief and love” in hand-lettered fonts.
Something, Not Nothing: A Story of Grief and Love by Sarah Leavitt (Arsenal Pulp Press)

A poignant and beautifully illustrated graphic memoir about love and loss and navigating a new life.

In April 2020, cartoonist Sarah Leavitt’s partner of twenty-two years, Donimo, died with medical assistance after years of severe chronic pain and a rapid decline at the end of her life. About a month after Donimo’s death, Sarah began making comics again as a way to deal with her profound sense of grief and loss. The comics started as small sketches but quickly transformed into something totally unfamiliar to her. Abstract images, textures, poetic text, layers of watercolour, ink, and coloured pencil – for Sarah, the journey through grief was impossible to convey without bold formal experimentation. She spent two years creating these comics.

The result is Something, Not Nothing, an extraordinary book that delicately articulates the vagaries of grief and the sweet remembrances of enduring love. Moving and impressionistic, Something, Not Nothing shows that alongside grief, there is room for peace, joy, and new beginnings.

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Illustrated cover of A Witch’s Guide to Burning by Aminder Dhaliwal. A dark witch figure with windswept hair and glowing eyes is engulfed in red flames, surrounded by magical symbols on a warm orange backdrop.
A Witch’s Guide to Burning by Aminder Dhaliwal (Drawn & Quarterly)

Dhaliwal creates a land ruled by magic and fire, where the sky is thick with witches.

A witch’s work is never done when she works for the people. With the success of her town relying on her magic, demands are high. But what happens when a witch can’t keep up with the magical requests? She is burnt, of course—in a cruel ritual that extinguishes her magic and erases all her memories, making her just like everybody else. But when a burning ceremony is interrupted by rain in Chamomile Valley, a witch is left writhing at the stake. It’s up to a witch doctor and her toad friend to save the singed witch and nurse her back to health. Can they help her before her magic is lost forever?

Aminder Dhaliwal’s A Witch’s Guide to Burning is a whimsical and humorous allegory for burnout in a society in desperate need of self-care. With a lavish blend of prose, illustration, and comics, Dhaliwal crafts an enthralling hybrid adventure story like you’ve never seen before. Follow Singe and her companions Yew-Veda and Bufo Wonder as they journey across dangerous landscapes, battling demons along the way in an extraordinary tale about sacrifice and healing.

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