By Anita Ragunathan
Translation is an art. This once controversial statement is now generally accepted thanks to the advocacy of translators who fought for their work to be recognized. Canadian translator, poet, and editor Yilin Wang talks about the labour of love that translation requires from researching the author, historical period, and literary form to using that research and artistic sensibility to convey the spirit of the work. Canada has a rich linguistic history, and independent presses play a role in preserving and nurturing the diverse stories that extend from the multitude of languages spoken on this land. It is our hope that the selection of four novels below will encourage you to explore the wealth of linguistic landscapes Canada has to offer.
1) Rosa’s Very Own Personal Revolution by Eric Dupont, translated by Peter McCambridge
Rosa Ost grows up in Notre-Dame-du-Cachalot, a tiny village at the end of the world, where two industries are king: paper and Boredom. The only daughter of Terese Ost (a fair-to-middling trade unionist and a first-rate Scrabble player), the fate that befalls Rosa is the focus of this tale of long journeys and longer lives, of impossible deaths, unwavering prophecies, and unsettling dreams as she leaves her village for Montreal on a quest to summon the westerly wind that has proved so vital to the local economy.
From village gossips, tealeaf-reading exotic dancers, and Acadian red herrings to soothsaying winkles and centuries-old curses, Rosa’s Very Own Personal Revolution is a delightful, boundary-pushing story about stories and the storytellers who make them – and a reminder that revolutions in Quebec aren’t always quiet.
2) Sanaaq by Mitiarjuk Nappaaluk, translated by Peter Frost — Available on Audible
Sanaaq is an intimate story of an Inuit family negotiating the changes brought into their community by the coming of the qallunaat, the white people, in the mid-nineteenth century.
Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec. Here they live their lives hunting seal, repairing their kayak, and gathering mussels under blue sea ice before the tide comes in. These are ordinary extraordinary lives: marriages are made and unmade, children are born and named, violence appears in the form of a fearful husband or a hungry polar bear. Here the spirit world is alive and relations with non-humans are never taken lightly. And under it all, the growing intrusion of the qallunaat and the battle for souls between the Catholic and Anglican missionaries threatens to forever change the way of life of Sanaaq and her young family.
3) Sadie X by Clara Dupuis-Morency, translated by Aimee Wall
Having followed the brilliant virologist Régnier from Montreal to Marseille many years ago, Sadie now works as a researcher in a lab, spending most of her time among microscopic creatures who teach her about life as a parasite. By day, she pushes the limits of her understanding alongside Régnier, who taught her that to study viruses, she must think infectiously, allow herself to be contaminated by dangerous ideas. By night, Sadie loses herself in bars, music, drugs, sensuality. Until she gets a call from the past that lures her back across the Atlantic.
When her estranged father tells her that a bizarre virus has been found in his hospital, Sadie returns to Montreal and her family, and all the unexpected changes time has wrought, to solve this new puzzle. Soon she realizes that the person she thought she was—someone who can leave everything behind—no longer exists. What is left for her instead is sinking into the unknown to find out what happens when ideas come to life.
This is a deeply inventive and singular novel about the power of metamorphosis and symbiosis. Combining the cerebral and the sensual, Sadie X explores humanity’s relationship to the rest of the world, and the role of rationale—and its limits in our multilayered, regenerative existences.
4) The War You Don’t Hate by Blaise Ndala, translated by Dimitri Nasrallah
In Blaise Ndala’s magnificent second novel, originally published as Sans Capote Ni Kalachnikov in 2017, the paths of a Canadian documentary filmmaker and two former rebel soldiers from the Congo collide in this searing revenge tale about those who profit from the misery of others.
Los Angeles, 2002. Véronique Quesnel accepts the Best Documentary Oscar for “Sona: Rape and Terror in the Heart of Darkness”, basking in the praise of her privileged audience. She has drawn attention to “the center of gravity that is Black tragedy”, which attracted her away from her life in Montreal, and to the harrowing story of Sona, a young woman who escaped sex slavery. But this lauded film has also shone a dangerous spotlight on Véronique herself. In the Great Lakes region of Africa, Master Corporal Red Ant and his cousin Baby Che are stalking the remnants of the Second Congo War – the deadliest conflict since World War II. In search of truth and vengeance, their obsession now has a name.
The FOLD Admin