Writing the Real: Making Memoir - The FOLD

Writing the Real: Making Memoir

Preview Event Description

In this free in-person panel discussion, memoirists Roza Nozari and Ardra Shephard sit down with moderator Hudson Lin for an engaging conversation about writing nonfiction that is personal, purposeful, and resonant. Join us at the Kitchener Public Library for a thoughtful evening for readers, writers, and anyone drawn to stories rooted in real life as part of a special preview event for the 2026 Festival of Literary Diversity.

Featured Speaker(s)

Roza Nozari_Headshot
Roza Nozari
Bio
Ardra Shephard_Headshot copy
Ardra Shephard
Bio
Asian woman with shoulder length hair, wearing a black shirt.
Hudson Lin
Bio
Roza Nozari_Headshot

Roza Nozari

ROZA NOZARI is a writer, artist and therapist based in Tkaronto (“Toronto”) and known as YallaRoza on social media. Her work weaves together writing and visual art to share stories of wounding, healing and community. It invites radical reimaginings of our world, towards one more invested in cross-generational, collective healing and liberation. She is the illustrator of three children’s books: Little People, Big Dreams’ Mindy Kaling (2021), Fluffy and the Stars (2023) and The Anti-Racist Kitchen (2023). Her illustrations have been featured locally and internationally—from university campuses to sports arenas and pride festivals.

Ardra Shephard_Headshot copy

Ardra Shephard

Ardra Shephard (she/her) is the author of Fallosophy: My Trip Through Life with MS (Douglas & McIntyre, 2025), nominated for the 2026 Forest of Reading® Evergreen Award™. She is the blogger and podcaster behind the award-winning Tripping On Air, and the host and creator of television’s Fashion Dis (AMI+). A columnist with Healthline’s BezzyMS (“Ask Ardra Anything”), Ardra is a sought-after writer, consultant, and speaker. Named one of The Kit’s Changemakers, she is a leading voice in the disability rights movement, serving on multiple advisory boards advancing accessibility and inclusion in Canada and beyond.

Asian woman with shoulder length hair, wearing a black shirt.

Hudson Lin

Hudson Lin (she/her) writes heartfelt, gritty romances featuring queer people of color. The New York Times has called Lin’s writing “splashy and dazzling and high-intensity,” and Book Riot has said that her dramatic plot lines “would make Shonda Rhimes proud.” Based in Toronto, Lin currently serves as the Program Coordinator at the Festival of Literary Diversity and is the co-host of the Into the FOLD Podcast.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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