Workshop: Leadership Strategies for BIPOC Professionals - The FOLD

Workshop: Leadership Strategies for BIPOC Professionals

Session Description

Building on the themes explored in the business of publishing panel, this interactive virtual workshop, led by Annahid Dashtgard, is based on her most recent book Fire and Silence: A Roadmap for BIPOC Leaders. The session examines leadership, power, and the emotional realities of navigating inequitable systems, with a focus on practical strategies. Designed for emerging and established professionals alike, the workshop offers tools for leading with clarity, confidence and compassion.

Featured Speaker(s)

Annahid Dashtgard_Headshot
Annahid Dashtgard
Bio
Annahid Dashtgard_Headshot

Annahid Dashtgard

Annahid Dashtgard (she/her) is the CEO of Anima Leadership, an award-winning company revolutionizing how equity and racial justice work is advanced in organizations centering compassion and avoiding the traps of shame and blame. A sought-after speaker and advisor, she has inspired, educated, and coached thousands of individuals and hundreds of organizations, guiding them toward deeper, more meaningful cultures of belonging. She is the author of previous books Breaking the Ocean and Bones of Belonging. She lives in Toronto.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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