Sunrise Writing Sprint with Island Scribe - The FOLD

Sunrise Writing Sprint with Island Scribe

Session Description

Start the day on the page at our annual sunrise writing event where Simone Dalton, founder and host of Island Scribe Writing Retreats, guides writers through an intentional 90-minute virtual writing sprint designed to nurture reflection, creativity, and meaningful progress. Through gentle prompts and quiet focus, write in community while reconnecting with your voice and your work.

Featured Speaker(s)

Simone Dalton
Simone Dalton
Bio
Simone Dalton

Simone Dalton

Simone Dalton (she/her) is an award-winning writer born in Trinidad and Tobago and now based in Toronto. Her current work explores memory, grief, inheritance, and the quiet rituals that shape a life. She holds an MFA in Creative Nonfiction from the University of Guelph, and her debut memoir, What Remains, is forthcoming from Scribner Canada.

She is the founder of Island Scribe, where she designs immersive writing retreats and coaching spaces that invite writers into deeper, sustained creative practice. Her facilitation work grows directly from her own commitment to writing as ritual, reflection, and renewal.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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