Power, Equity, and the Business of Publishing - The FOLD

Power, Equity, and the Business of Publishing

Session Description

In this candid business of publishing panel, three industry experts examine the systemic challenges facing BIPOC and other marginalized professionals. Unpack leadership, access, gatekeeping, and the structural shifts still needed to build a more equitable industry.

Sponsored by Dundurn Press.

Featured Speaker(s)

Annahid Dashtgard_Headshot
Annahid Dashtgard
Bio
Joe Lee
Joe Lee
Bio
Nour Sallam
Nour Sallam
Bio
Ameema Saeed
Ameema Saeed
Bio
Annahid Dashtgard_Headshot

Annahid Dashtgard

Annahid Dashtgard (she/her) is the CEO of Anima Leadership, an award-winning company revolutionizing how equity and racial justice work is advanced in organizations centering compassion and avoiding the traps of shame and blame. A sought-after speaker and advisor, she has inspired, educated, and coached thousands of individuals and hundreds of organizations, guiding them toward deeper, more meaningful cultures of belonging. She is the author of previous books Breaking the Ocean and Bones of Belonging. She lives in Toronto.

Joe Lee

Joe Lee

Joe Lee (he/him) is the publishing manager at McClelland & Stewart, a division of Penguin Random House Canada. A publishing professional of ten years, he acquires and edits fiction and non-fiction.

Some of his acquisitions include the Booker Prize-winning novel Flesh by David Szalay, If I Survive You by Jonathan Escoffery, Small Ceremonies by Kyle Edwards, Cold by Drew Hayden Taylor, and Blackness Is a Gift I Can Give Her by R. Renee Hess.

Nour Sallam

Nour Sallam

Nour Sallam is a literary agent at The Caldwell Agency representing adult fiction and nonfiction. She has a BA in English Literature and Political Science from UBC and studied publishing at TMU. As an Arab woman and an immigrant, she loves books that amplify joy and connection, or feature complex and nuanced narratives. She is drawn to compelling and accessible stories that give her what she calls “brain butterflies.” Nour is a member of the Association of American Literary Agents (AALA) and sits on the advisory committee of BIPOC of Publishing in Canada.

Ameema Saeed

Ameema Saeed

Ameema Saeed (she/her) is a writer, a book reviewer, a Sensitivity Reader, a book buyer at Indigo Books & Music, and the Books Editor for She Does the City, where she writes and curates bookish content, and book recommendations. When she’s not reading books, she likes to talk about books (especially diverse books, and books by diverse authors) on her bookstagram: @ReadWithMeemz

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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