Pitch Perfect Live: A Virtual Manuscript Critique - The FOLD

Pitch Perfect Live: A Virtual Manuscript Critique

Session Description

Our annual manuscript critique returns in an exciting new format as three editors and agents — Léonicka Valcius, Joe Lee and Jen Sookfong Lee — offer live feedback on anonymous manuscript submissions. Hear their candid reactions in real time and gain insight into what stands out — and what holds a submission back — when querying your work. Hosted by Calyssa Erb, this event is ideal for emerging and aspiring writers alike and anyone looking to improve their craft.

Featured Speaker(s)

Joe Lee
Joe Lee
Bio
A Chinese-Canadian woman stands against a white background with her hands in her pockets. She has short dark hair and wears a blue denim button-down shirt over dark pants, and is smiling widely.
Jen Sookfong Lee
Bio
Black woman with shoulder-length black hair, wearing glasses, blue dress shirt, and blue blazer, standing in front of a railing, with trees with red leaves in the background.
Léonicka Valcius
Bio
Calyssa Erb_Photographer Asher Riven
Calyssa Erb
Bio
Joe Lee

Joe Lee

Joe Lee (he/him) is the publishing manager at McClelland & Stewart, a division of Penguin Random House Canada. A publishing professional of ten years, he acquires and edits fiction and non-fiction.

Some of his acquisitions include the Booker Prize-winning novel Flesh by David Szalay, If I Survive You by Jonathan Escoffery, Small Ceremonies by Kyle Edwards, Cold by Drew Hayden Taylor, and Blackness Is a Gift I Can Give Her by R. Renee Hess.

A Chinese-Canadian woman stands against a white background with her hands in her pockets. She has short dark hair and wears a blue denim button-down shirt over dark pants, and is smiling widely.

Jen Sookfong Lee

Jen Sookfong Lee (she/her) acquires and edits for ECW Press. She was born and raised in Vancouver’s East Side, and now lives with her son in North Burnaby. Her books include The Hunger We Pass Down, longlisted for Canada Reads and named a Best Book of 2025 by both the Toronto Star and Winnipeg Free Press; The Conjoined, nominated for International Dublin Literary Award and a finalist for the Ethel Wilson Fiction Prize; The Better Mother, a finalist for the City of Vancouver Book Award, The End of East; The Shadow List; and Finding Home.

Black woman with shoulder-length black hair, wearing glasses, blue dress shirt, and blue blazer, standing in front of a railing, with trees with red leaves in the background.

Léonicka Valcius

Léonicka Valcius (she/her) is a Literary Agent at Transatlantic Agency who specializes in commercial and genre fiction for children and adults.

As a lawyer licensed in Ontario, Léonicka also offers detailed consulting and legal services to protect the creative labour and intellectual property rights of writers who do not have or want literary agents. Léonicka draws on over 15 years of sales and marketing experience and her work at multinational publishers to help her clients build sustainable and intentional careers.

Calyssa Erb_Photographer Asher Riven

Calyssa Erb

Calyssa Erb (she/her) is a queer, autistic Canadian writer of books for young readers. Her debut middle grade novel Maya Plays the Part was published by Annick Press in 2024. It was a finalist for the Jean Little First-Novel Award and selected for the 2025 IBBY Outstanding Books for Young People with Disabilities collection. When not writing, she enjoys a tall mug of tea and hanging out with her Animal Crossing villagers. She currently lives in Toronto, Ontario.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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