Navigating Friendships in Young Adult Novels - The FOLD

Navigating Friendships in Young Adult Novels

Session Description

Friendship can be transformative — and complicated. They can fall apart without warning or evolve as we grow. In this thoughtful and engaging virtual panel discussion, young adult authors Farzana Doctor, Ahmad Saber, and Curtis Campbell discuss how their novels explore loyalty, conflict, identity, and repair. Designed for high school students, this conversation offers rich entry points for classroom discussion and meaningful school-wide engagement.

Sponsored by Simon & Schuster Canada.

Featured Speaker(s)

Curtis_Headshot
Curtis Campbell
Bio
Farzana Doctor_Headshot
Farzana Doctor
Bio
Ahmad Saber_Headshot
Ahmad Saber
Bio
Alyssa Gray-Tyghter
Alyssa Gray-Tyghter
Bio
Curtis_Headshot

Curtis Campbell

Curtis Campbell (he/him) is an award-winning novelist and playwright. His book, Dragging Mason County, was a White Raven Award winner, an Ontario Library Association Best Bets Top Ten Title, a White Pine Award nominee, and shortlisted for the Jacqueline Woodson Award for LGBTQ+ Young Adult and Children’s Literature. He lives in Toronto.

Farzana Doctor_Headshot

Farzana Doctor

Farzana Doctor (she/her) is an author, activist and psychotherapist. She’s written five novels: Stealing Nasreen, Six Metres of Pavement, All Inclusive, Seven, and The Beauty of Us, a poetry collection, You Still Look The Same and a workbook for helpers and activists, 52 Weeks to a Sweeter Life.

In 2023, Farzana received the Freedom To Read Award. In 2020, Seven was chosen as an Amnesty International Reader’s Choice Pick and was shortlisted for the Trillium and Evergreen awards. Six Metres of Pavement won the Lambda and Writers’ Trust Dayne Oglivie prizes and was shortlisted for the Toronto Book Award in 2012.

Ahmad Saber_Headshot

Ahmad Saber

Ahmad Saber (he/him) grew up on an all-girls college campus next to a massive fort in Pakistan before his family moved to Canada when he was in high school. While the move totally sucked at the time, it’s one of the best things that’s ever happened to him. He’s now a medical doctor specializing in rheumatology by day but his passion truly burns at night when he sits down to tell stories with heart. Ahmad loves Broadway (favorite show = Phantom) and travel (favorite place = tie between Paris and Melbourne). His debut novel is based in part on his lived experience.

Alyssa Gray-Tyghter

Alyssa Gray-Tyghter

Alyssa Gray-Tyghter (she/her) is an educator, writer, and storyteller whose work explores the intersections of equity, identity, memory, and transformative learning. Her research and creative practice are grounded in Afro-Indigenous histories, counterstorytelling, and the power of narrative to reshape how we understand belonging. She is known for bringing together critical insight, thoughtful facilitation, and a deep commitment to community in ways that are both grounded and engaging. Across her work, Alyssa examines how story can function as method, resistance, and reimagination, offering audiences new ways to think about education, culture, leadership, and the narratives that shape our lives.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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