Indie Insights: What I Wish I’d Known about Self-Publishing - The FOLD

Indie Insights: What I Wish I’d Known about Self-Publishing

Session Description

Thinking about self-publishing? In this virtual panel discussion, join Lindo Forbes, Noah Steele, Sahira Javaid, and moderator Hudson Lin for an honest, experience-driven conversation about going the indie route. From production and marketing to unexpected challenges and hard-earned lessons, find out everything they wish they had known before publishing their first book. Come with your questions and leave with clearer insight into the realities—and rewards—of self-publishing.

Featured Speaker(s)

Lindo Forbes_Headshot
Lindo Forbes
Bio
Untitled Artwork
Sahira Javaid
Bio
Noah Steele_Headshot
Noah Steele
Bio
Asian woman with shoulder length hair, wearing a black shirt.
Hudson Lin
Bio
Lindo Forbes_Headshot

Lindo Forbes

Lindo Forbes (she/her) is a first gen Canadian which means she speaks enough French to not disgrace herself when she visits Montreal but not enough Spanish to please her abuela. She happily holds grudges against fictional people and celebrities she’s never met, and has fully embraced her role as Indulgent Wine Aunt.

Her contemporary romances featuring layered ladies are a love letter to her hometown of Toronto.

Untitled Artwork

Sahira Javaid

Sahira Javaid (she/her) is a poetess and author from Ottawa. She writes fantasy steeped in adventure and fantastical worlds. When she’s not writing she can be found watching YouTube, daydreaming about her next story and making others smile and laugh every chance she gets.

Noah Steele_Headshot

Noah Steele

Noah Steele (they/them) is a self-publishing queer romance author from Toronto, Canada. Raised roaming the library, playing Final Fantasy, and writing fan fiction, Noah’s work puts escapism, entertainment, and queer joy at the heart of every project. With a deep love of exploring other worlds and a gift for writing relationships that leave a mark, Noah is leaving contemporary queer romance behind to embark on a journey into writing queer romantasy in 2026 and beyond. Between writing projects, Noah can be found gaming, casting spells, and hiking Ontario’s parks and forests for fun and inspiration.

Asian woman with shoulder length hair, wearing a black shirt.

Hudson Lin

Hudson Lin (she/her) writes heartfelt, gritty romances featuring queer people of color. The New York Times has called Lin’s writing “splashy and dazzling and high-intensity,” and Book Riot has said that her dramatic plot lines “would make Shonda Rhimes proud.” Based in Toronto, Lin currently serves as the Program Coordinator at the Festival of Literary Diversity and is the co-host of the Into the FOLD Podcast.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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