Hooked: The Art of Addictive Genre Fiction - The FOLD

Hooked: The Art of Addictive Genre Fiction

Session Description

Genre fiction taps into our deepest fears, desires, and obsessions. In this dynamic virtual panel discussion, Jackie Khalilieh, Sahira Javaid, and Yiming Ma explore the creative freedoms and expectations of writing within their chosen genres. Discover what makes these stories so addictive, how genre shapes the reading experience, and why readers return again and again to worlds that thrill, comfort, and unsettle them.

Featured Speaker(s)

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Sahira Javaid
Bio
Jackie Khalilieh_Headshot
Jackie Khalilieh
Bio
Yiming Ma_Headshot
Yiming Ma
Bio
Lindo Forbes_Headshot
Lindo Forbes
Bio
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Sahira Javaid

Sahira Javaid (she/her) is a poetess and author from Ottawa. She writes fantasy steeped in adventure and fantastical worlds. When she’s not writing she can be found watching YouTube, daydreaming about her next story and making others smile and laugh every chance she gets.

Jackie Khalilieh_Headshot

Jackie Khalilieh

Jackie Khalilieh (she/her) is a Palestinian Canadian writer with a penchant for Samoyeds, to-do lists and staying up too late. She is passionate about positive representation within her writing. Something More, her debut YA novel, was shortlisted for the Ruth & Sylvia Schwartz Award, as well as the Snow Willow Award, and was selected for several Best Books of 2023 lists, including the New York Public Library and Audible Canada among others. Her second novel, You Started It, was a JLG Gold Star Selection. She resides just outside Toronto, Canada, with her husband and two daughters, and Samoyed Pearl.

Yiming Ma_Headshot

Yiming Ma

Born in Shanghai, Yiming Ma (he/him) spent a decade in tech and finance before writing the dystopian novel These Memories Do Not Belong to Us, named a Spotify Editors’ Pick, longlisted for the Goodreads Choice Award, and featured on Best Books of 2025 lists by Electric Literature, Debutiful, PEN America and elsewhere.

Yiming lives in Toronto. He attended Stanford for his MBA, and Warren Wilson for his MFA. His stories and essays appear in the New York Times, The Guardian, The Globe and Mail, Florida Review, and elsewhere. His story “Swimmer of Yangtze” won the 2018 Guardian 4th Estate Story Prize.

Lindo Forbes_Headshot

Lindo Forbes

Lindo Forbes (she/her) is a first gen Canadian which means she speaks enough French to not disgrace herself when she visits Montreal but not enough Spanish to please her abuela. She happily holds grudges against fictional people and celebrities she’s never met, and has fully embraced her role as Indulgent Wine Aunt.

Her contemporary romances featuring layered ladies are a love letter to her hometown of Toronto.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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