Session Description
Genre fiction taps into our deepest fears, desires, and obsessions. In this dynamic virtual panel discussion, Jackie Khalilieh, Sahira Javaid, and Yiming Ma explore the creative freedoms and expectations of writing within their chosen genres. Discover what makes these stories so addictive, how genre shapes the reading experience, and why readers return again and again to worlds that thrill, comfort, and unsettle them.
Featured Speaker(s)
Sahira Javaid
Sahira Javaid (she/her) is a poetess and author from Ottawa. She writes fantasy steeped in adventure and fantastical worlds. When she’s not writing she can be found watching YouTube, daydreaming about her next story and making others smile and laugh every chance she gets.
Jackie Khalilieh
Jackie Khalilieh (she/her) is a Palestinian Canadian writer with a penchant for Samoyeds, to-do lists and staying up too late. She is passionate about positive representation within her writing. Something More, her debut YA novel, was shortlisted for the Ruth & Sylvia Schwartz Award, as well as the Snow Willow Award, and was selected for several Best Books of 2023 lists, including the New York Public Library and Audible Canada among others. Her second novel, You Started It, was a JLG Gold Star Selection. She resides just outside Toronto, Canada, with her husband and two daughters, and Samoyed Pearl.
Yiming Ma
Born in Shanghai, Yiming Ma (he/him) spent a decade in tech and finance before writing the dystopian novel These Memories Do Not Belong to Us, named a Spotify Editors’ Pick, longlisted for the Goodreads Choice Award, and featured on Best Books of 2025 lists by Electric Literature, Debutiful, PEN America and elsewhere.
Yiming lives in Toronto. He attended Stanford for his MBA, and Warren Wilson for his MFA. His stories and essays appear in the New York Times, The Guardian, The Globe and Mail, Florida Review, and elsewhere. His story “Swimmer of Yangtze” won the 2018 Guardian 4th Estate Story Prize.
Lindo Forbes
Lindo Forbes (she/her) is a first gen Canadian which means she speaks enough French to not disgrace herself when she visits Montreal but not enough Spanish to please her abuela. She happily holds grudges against fictional people and celebrities she’s never met, and has fully embraced her role as Indulgent Wine Aunt.
Her contemporary romances featuring layered ladies are a love letter to her hometown of Toronto.