Back Where I Came From: Memoir, Memory, and Diaspora - The FOLD

Back Where I Came From: Memoir, Memory, and Diaspora

Session Description

How do place and inheritance shape our sense of identity? In this virtual panel discussion, join memoirists Roza Nozari, Eufemia Fantetti, and Alexandra C. Yeboah for a thoughtful conversation about diaspora, belonging, and the pull of places that are both distant and deeply personal.

Featured Speaker(s)

Eufemia Fantetti headshot
Eufemia Fantetti
Bio
Roza Nozari_Headshot
Roza Nozari
Bio
Alexandra C. Yeboah_Headshot
Alexandra C. Yeboah
Bio
Omar Mouallem
Omar Mouallem
Bio
Eufemia Fantetti headshot

Eufemia Fantetti

Eufemia Fantetti’s (she/her) fiction collection, A Recipe for Disaster & Other Unlikely Tales of Love, was runner-up for the Danuta Gleed Award and won a Bressani Prize. Her second book, My Father, Fortune-tellers & Me: A Memoir, was a finalist for the 2024 Canadian Book Club Awards. Her nonfiction can be found in various anthologies, including Love Me True, Body & Soul and Back Where I Came From: On Culture, Identity and Home, and one she co-edited, Tongues: On Longing and Belonging through Language. She teaches writing at Humber College and the University of Guelph-Humber.

Roza Nozari_Headshot

Roza Nozari

ROZA NOZARI is a writer, artist and therapist based in Tkaronto (“Toronto”) and known as YallaRoza on social media. Her work weaves together writing and visual art to share stories of wounding, healing and community. It invites radical reimaginings of our world, towards one more invested in cross-generational, collective healing and liberation. She is the illustrator of three children’s books: Little People, Big Dreams’ Mindy Kaling (2021), Fluffy and the Stars (2023) and The Anti-Racist Kitchen (2023). Her illustrations have been featured locally and internationally—from university campuses to sports arenas and pride festivals.

Alexandra C. Yeboah_Headshot

Alexandra C. Yeboah

Alexandra C. Yeboah (she/her) is a Brampton-based writer, storyteller and creative facilitator whose work often drifts between the heartfelt and the hilariously human. A quiet observer with a mischievous curiosity, she writes stories exploring identity, discovery, belonging, and life’s awkward corners. Her nonfiction and poetry appear in Back Where I Came From, UpRising, and The Art of Solidarity anthologies. Alexandra is a second-generation Canadian with Jamaican and Ghanaian ancestry who is passionate about people, history, and culture. When not writing or facilitating, Alexandra can be found pretending her life is musical, daydreaming, or writing somewhere outdoorsy or by the light.

Omar Mouallem

Omar Mouallem

Omar Mouallem (he/him) is an author, filmmaker, educator, and the former editor-in-chief of Edify magazine. His book, How Muslims Shaped the Americas, was named one of The Globe and Mail’s 100 best books of 2021, and his documentary, The Lebanese Burger Mafia, which documents the unlikely link between fast-food and Lebanon’s civil war, was nominated for a James Beard Media Award honouring the world’s best food-related storytelling. Omar is also the founder of PanU School of Writing, a virtual school he founded in support of writers affected by the COVID-19 pandemic.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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