6. Climate Change and the Environment for Kids
Climate Change and the Environment for Kids with Hetxw’ms Gyetxw (Brett D. Huson)
In this workshop designed for educators, Hetxw’ms Gyetxw, also known as Brett D. Huson, uses Indigenous knowledge and practices to explore a different way of teaching and understanding climate change. With an emphasis on connection to the land, the workshop will explore innovative approaches to informing young people about the critical issues affecting the land.
This session and all 2022 FOLD Kids Book Fest virtual sessions will be made available on-demand until December 12 with a virtual pass. Educators who register with a board pass code will continue to have access into the New Year.
Virtual passes are $20 and allow attendees to access our Virtual Clubhouse where you can connect with exhibitors, chat with authors and attendees. You can also compete on the leaderboard and participate in our virtual scavenger hunt for the chance to win prizes.
If the cost of the virtual pass is prohibitive, check out our Patron Pass program.
Hetxw’ms Gyetxw, also known as Brett D. Huson (he/him/his), is from the Gitxsan Nation of the Northwest Interior of British Columbia, Canada. Growing up in this strong matrilineal society, Brett developed a passion for his people’s culture, land, and politics and a desire to share their knowledge and stories. Brett has worked in the film and television industry for over 16 years and is also a volunteer board member for such organizations as Ka Ni Kanichihk and sakihiwe Festival. The award-winning series Mothers of Xsan is Brett’s first series of books and part of a larger vision he has in sharing the worlds of the Gitxsan Nation. As Brett continues creating new projects, he is also working with the Prairie Climate Centre.
The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.
Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!
The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.
I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.
Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.
Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.
FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.
The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.
Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.