5. A Rat, a Rocket and Science with Joan Marie Galat
A Rat, a Rocket, and Science with Joan Marie Galat
Discover how scientific facts and imagination mix, and what happens when a journal-keeping lab rat starts thinking about colonizing Mars. We’ll talk about research, misinformation, and correcting mistakes—both in writing and friendships—in this entertaining and informative session based on the STEM-themed middle grade novel: Mortimer: Rat Race to Space.
This session and all 2022 FOLD Kids Book Fest virtual sessions will be made available on-demand until December 12 with a virtual pass. Educators who register with a board pass code will continue to have access into the New Year.
Virtual passes are $20 and allow attendees to access our Virtual Clubhouse where you can connect with exhibitors, chat with authors and attendees. You can also compete on the leaderboard and participate in our virtual scavenger hunt for the chance to win prizes.
If the cost of the virtual pass is prohibitive, check out our Patron Pass program.
Joan Marie Galat is the international award-winning author of more than 25 books. Her newest middle grade title—Mortimer: Rat Race to Space (DCB)—is about a journal-writing lab rat intent on using science and YouTube to prove his species is best suited to colonizing Mars. Joan’s STEM-themed books include Solve This! Wild and Wacky Challenges for the Genius Engineer in You (National Geographic Kids) and Dot to Dot in the Sky, Stories of the Aurora (Whitecap Books)—a Crystal Kite Award winner. Writing from the Edmonton area, Joan works with two noisy budgies who won’t stay off her keyboard.
The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.
Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!
The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.
I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.
Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.
Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.
FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.
The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.
Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.