17. Teaching Poetry to Young Adults
Teaching Poetry to Young Adults with Jillian Christmas
In this workshop, Jillian Christmas will break down how educators can teach poetry in their classrooms. How can you make the craft accessible and engaging to your students?
This session and all 2022 FOLD Kids Book Fest virtual sessions will be made available on-demand until December 12 with a virtual pass. Educators who register with a board pass code will continue to have access into the New Year.
Virtual passes are $20 and allow attendees to access our Virtual Clubhouse where you can connect with exhibitors, chat with authors and attendees. You can also compete on the leaderboard and participate in our virtual scavenger hunt for the chance to win prizes.
If the cost of the virtual pass is prohibitive, check out our Patron Pass program.
Jillian Christmas is an artist, creative facilitator, curator, consultant, and advocate in the arts community. She is the long-time spoken word curator of the Vancouver Writers Fest, and former artistic director of Verses Festival of Words. Utilizing an anti-oppressive lens, Jillian has performed and facilitated workshops across North America. She is the author of The Gospel of Breaking (Arsenal Pulp Press 2020), and the forthcoming children’s book, The Magic Shell (Flamingo Rampant Press 2022). She lives on the unceded territories of the Squamish, Tsleil-Waututh and Musqueam people (Vancouver, BC).
The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.
Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!
The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.
I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.
Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.
Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.
FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.
The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.
Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.