18. The Politics of Theatre - The FOLD

The Politics of Theatre

A viewing and talkback on the play by Makambe Simamba [CC]

Description

LINK TO  Our Fathers, Sons, Lovers and Little Brothers.

Register for this event and receive a link to the play Our Fathers, Sons, Lovers and Little Brothers by Makame Simamba. A talkback discussion will take place afterwards with the playwright and producer from b current performing arts.

Sunday, May 3rd : 8:00pm – 9:00pm EST

This event takes place online and is free to attend, but space is limited so we encourage you to register now.

THIS EVENT IS OVER 50% FULL [ REGISTER NOW ]

 

About the Play

A 17-year-old Black boy wearing a hoodie in Florida leaves a 7/11 carrying a bag of Skittles and an iced tea. He never makes it home. Our Fathers, Sons, Lovers and Little Brothers invites us into the infamous world of one teen, into his last moments, and into his intricate dance to the afterlife. A bcurrent production developed with the support of Alberta Theatre Projects and Banff Playwrights Lab.

Featured Speaker(s)

MSImamba
Makambe Simamba
Bio
A Filipino woman with long dark hair wears a red dress and necklace.
Catherine Hernandez
Bio
MSImamba

Makambe Simamba

Makambe K Simamba is a Dora Mavor Award winning playwright and actor, whose work includes Our Fathers, Sons, Lovers, and Little Brothers, A Chitenge Story, and The Drum Major Instinct. She works consistently in theatre, as well as in film/TV. Makambe is a proud Zambian, and she is thrilled to serve her community though her ability to tell stories.

Makambe will perform the Opening Gala Theatre Performance of Our Fathers, Sons, Lovers and Little Brothers.

A Filipino woman with long dark hair wears a red dress and necklace.

Catherine Hernandez

Catherine Hernandez is the author of Scarborough (Arsenal Pulp Press). Scarborough won the 2015 Jim Wong-Chu Award, was shortlisted for the Toronto Book Award, Edmund White Award for Debut Fiction, the Trillium Book Award, and longlisted for Canada Reads 2018. Scarborough is being adapted into a film by Compy Films, Reel Asian Film Festival and Telefilm, with Catherine authoring the screenplay. Her second book, Crosshairs will be published this September (HarperCollins Canada).

Catherine will be moderating The Power and Politics of Prizes.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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