11. Fiction Workshop with Kagiso Molope - The FOLD

11. Fiction Workshop with Kagiso Molope

with Kagiso Molope

Closed captioning will be provided at this event.

Session Description

Award-winning author Kagiso Molope shares secrets to great story-telling as she delves into the way voice, narration, and character work together to create powerful stories. Closed Captioning will be provided for this event.

Session Cost: $15. This event is available as a single-ticket event or as part of the Festival Pass, the Weekend Pass, or a Saturday Day Pass.

Featured Speaker(s)

KMolope
Kagiso Lesego Molope
Bio
KMolope

Kagiso Lesego Molope

Kagiso Lesego Molope has won the 2019 Ottawa Book Award and the Inaugural Pius Adesanmi Memorial Award for Excellence in African writing. Her novels are Dancing in the Dust, The Mending Season, This Book Betrays My Brother and Such a Lonely, Lovely Road.

Kagiso is hosting the Fiction Workshop with Kagiso Molope, appearing in The Power and Politics of Prizes, and moderating the discussion at the Breakfast with Perdita Felicien.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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