Teaching teens and writing for teens go hand in hand. In her writing life, author and educator Tanya Boteju creates complex characters, situations, and themes and in her classrooms, she provides space to explore her students’ own responses to these complexities. This workshop is designed for educators and writers who want some space as well—to think, learn, and share about how to engage young adults in meaningful ways through literature.
This session is sponsored by Simon & Schuster Canada.
How to Register
Events scheduled for May 1-15 are available via an all-access festival pass. The festival pass costs $39 and gives you access to a virtual festival platform, which includes an auditorium hosting forty virtual events, an exhibit hall with a live chat feature for communicating with vendors, and a lounge for engaging in discussions before and after events with other festival-goers.
Passholders will have be able to compete in the space for incredible prizes and will have access to the platform and all of the recorded festival events, as well as bonus content, until May 30, 2021. If the cost of the pass is prohibitive, please fill out the Patron Pass form, and a pass will be made available.
Tanya Boteju is a teacher and writer living on unceded territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations (Vancouver, BC). Part-time, she teaches English to clever and sassy young people. The rest of her time, she writes and procrastinates from writing. Her novel, Kings, Queens, and In-Betweens (Simon & Schuster, 2019), was named a Top Ten Indie Next Pick by the American Booksellers Association. Her next YA novel, Bruised (Simon & Schuster, 2021), has been selected as a Gold Standard book by the Junior Library Guild. In both teaching and writing, she is committed to positive, diverse representation.
The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.
Soraya Chemaly, author of Rage Becomes Her
Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!
Ben Philippe, author of Field Guide to the North American Teenager
The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.
Zetta Elliott, author of Dragons in a Bag
I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.
Harold Johnson, author of the memoirs Clifford and Firewater
Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.
Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize
Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.
Ian Williams, Author of the Giller Prize-winning novel Reproduction
FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.
Alicia Elliott, author of A Mind Spread Out On The Ground
The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.
Waubgeshig Rice, author of Moon Of The Crusted Snow
Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.