38. Writers on Love and Longing - The FOLD

38. Writers on Love and Longing

A Mood Series Event

Session Description

Love stories are inherently hopeful, full of longing and joy, mixed with the tumult of new romance — uncertainty, fear, and self-doubt. In this final Mood Series event, authors Uzma Jalaluddin (Hana Khan Carries On), Jane Igharo (Ties That Tether), and Sonya Lalli (Serena Singh Flips the Script) unravel the journey to their latest romance novels and the questions they wrestled with in their timeless and witty tales about love and its uncertainty.

How to Register

Events scheduled for May 1-15 are available via an all-access festival pass. The festival pass costs $39 and gives you access to a virtual festival platform, which includes an auditorium hosting forty virtual events, an exhibit hall with a live chat feature for communicating with vendors, and a lounge for engaging in discussions before and after events with other festival-goers.

Passholders will have be able to compete in the space for incredible prizes and will have access to the platform and all of the recorded festival events, as well as bonus content, until May 30, 2021. If the cost of the pass is prohibitive, please fill out the Patron Pass form, and a pass will be made available.

Featured Speaker(s)

A young Black woman wearing a bright pink coat stands next to the cover for her latest novel, TIES THAT TETHER.
Jane Igharo
Bio
A middle-aged Indian woman in a beige hijab smiles against a white background. She has her arms crossed one ofver the other and wears a burgundy top.
Uzma Jalaluddin
Bio
A young Indian woman with long dark hair crosses her arms and smiles at the camera. She stands against a grey backdrop.
Sonya Lalli
Bio
A middle-aged Indian Canadian woman with shoulder-length dark curly hair and glasses stands smiling against a backdrop of trees.
Farah Heron
Bio
A young Black woman wearing a bright pink coat stands next to the cover for her latest novel, TIES THAT TETHER.

Jane Igharo

 Jane Abieyuwa Igharo was born in Nigeria and immigrated to Canada at the age of twelve. She has a journalism degree from the University of Toronto and works as a communications specialist in Ontario, Canada. She writes about strong, audacious, beautifully flawed Nigerian women much like the ones in her life.

A middle-aged Indian woman in a beige hijab smiles against a white background. She has her arms crossed one ofver the other and wears a burgundy top.

Uzma Jalaluddin

Uzma Jalaluddin is the author of Ayesha At Last and Hana Khan Carries On, as well as a teacher and columnist for The Toronto Star.

A young Indian woman with long dark hair crosses her arms and smiles at the camera. She stands against a grey backdrop.

Sonya Lalli

Sonya Lalli is a romance and women’s fiction author of Indian heritage. Her books have been featured in Entertainment Weekly, NPR, Glamour, The Washington Post, CBC, The Toronto Star and more. Her debut novel The Matchmaker’s List was a Target Diverse Book Club Pick, Cityline Book Club Pick, and Apple Best Book of the Month. Grown-Up Pose (2020) was a Globe and Mail national bestseller and Amazon Best Book of the Month. Serena Singh Flips the Script is her latest novel.

A middle-aged Indian Canadian woman with shoulder-length dark curly hair and glasses stands smiling against a backdrop of trees.

Farah Heron

After a childhood raised on Bollywood, Monty Python, and Jane Austen, Farah Heron wove complicated story arcs and uplifting happily ever afters in her daydreams while pursuing careers in human resources and psychology. She started writing those stories down a few years ago, and never looked back. She writes romantic comedies for both adults and teens full of huge South Asian families, delectable food, and most importantly, brown people falling stupidly in love. She lives in Toronto with her husband, two teenagers, a rabbit, and two cats who rule the house.

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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