32. Writers on Fear and Monsters
Mood Series Event
Mood Series Event
Fear is an intensely powerful emotion, transforming reality into a monster of its own, changing everyday people and things into terrifying creatures that haunt our thoughts and threaten to overwhelm us. In this Mood Series event, authors Silvia Moreno-Garcia (Mexican Gothic), Nathan Niigan Noodin Adler (Ghost Lake), and P. Djéli Clark (Ring Shout) discuss the function of fear and the role of monsters — how characters maneouvering through moments of terror illustrate important truths about real world challenges.
In these 70-minute conversations, belonging, hope, grief, love, isolation, magic, transformation, and fear, readers will hear from authors who have published or written work in unprecedented conditions. Moderators will discuss these moods and themes with authors, unpacking each mood and its connection to their lives and their work.
Each mood event will be followed by a discussion in our festival lounge – providing attendees with the opportunity to respond to the facilitated conversation.
Events scheduled for May 1-15 are available via an all-access festival pass. The festival pass costs $39 and gives you access to a virtual festival platform, which includes an auditorium hosting forty virtual events, an exhibit hall with a live chat feature for communicating with vendors, and a lounge for engaging in discussions before and after events with other festival-goers.
Passholders will have be able to compete in the space for incredible prizes and will have access to the platform and all of the recorded festival events, as well as bonus content, until May 30, 2021. If the cost of the pass is prohibitive, please fill out the Patron Pass form, and a pass will be made available.
Nathan Adler is author of Wrist and Ghost Lake, and co-editor of the Bawaajigan anthology. He is Jewish, Ojibwe, and a member of Lac des Mille Lacs First Nation. He has an MFA in Creative Writing from UBC, is a first-place winner of the Aboriginal Writing Challenge, and a recipient of a Hnatyshyn Reveal award for Literature.
Phenderson Djélì Clark is the award winning and Hugo, Nebula, and Sturgeon nominated author of the novellas Ring Shout, The Black God’s Drums and The Haunting of Tram Car 015. His short stories have appeared in online venues such as Tor.com, Heroic Fantasy Quarterly, Beneath Ceaseless Skies, and in print anthologies including, Griots, Hidden Youth and Clockwork Cairo. He is a founding member of FIYAH: A Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons. His debut novel A Master of Djinn will be published by Tor.com in May 2021.
K. J. Aiello is a Toronto-based writer. Her work, including book and film reviews, essays and features, has been published in The Globe and Mail, Chatelaine, Toronto Life, eTalk, This Magazine, Room Magazine, and others. She was a moderator at the 41st Toronto International Festival of Authors. K. J. lives with mental illness.
The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.
Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!
The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.
I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.
Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.
Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.
FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.
The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.
Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.