8. The Writer’s Life with Abdi Nazemian – School Group Event
Date: May 3, 2022
Time: 10:00 am – 11:00 am ET
Secondary school educators can choose a special Educator pass (with the same virtual and in-person options), which allow them to create a Student Access Login which their students can use to log on to individual devices.
Bundle passes are available for groups of five educators who wish to reduce the price of their pass by buying in bulk.
School discounts and board discounts are available by request until early April.
On a Budget? Check out our Patron Pass program.
Abdi Nazemian is the author of four novels. His first, The Walk-In Closet, won a Lambda Literary Award. His most recent, Like a Love Story, was awarded a Stonewall Honor, and was chosen as one of the best books of the year by Entertainment Weekly, Audible, Buzzfeed, the New York Public Library and more. His screenwriting credits include the films The Artist’s Wife, The Quiet, and Menendez: Blood Brothers, and the television series Ordinary Joe, The Village and Almost Family. He has been an executive producer and / or associate producer on numerous films, including Call Me By Your Name.
Ardo Omer has written for online platforms as a reviewer and critic for almost a decade. She’s been a judge for a few kids comics awards and is an advisor at the Canadian Comics Open Library. Omer lives in Toronto, Ontario, where she serves as the Kids Coordinator for the Festival of Literary Diversity (FOLD).
The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.
Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!
The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.
I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.
Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.
Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.
FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.
The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.
Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.