8. The Writer's Life with Abdi Nazemian - School Group Event - The FOLD

8. The Writer’s Life with Abdi Nazemian – School Group Event

Virtual Event

Description

Author, screenwriter and producer Abdi Nazemian joins us live from Los Angeles, California for an interview on what it’s like to write for film and television, the differences between writing for the screen versus writing for the page and what it takes to build a career as a writer. This event is geared towards high school students.

Date: May 3, 2022
Time: 10:00 am – 11:00 am ET

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How to Register

Guests can choose from three types of passes for FOLD 2022:

  • Virtual Events Only Passes ($35)
  • Virtual Plus In-Person Events Passes ($45)
  • In-Person Only Passes ($15)

GET YOUR FESTIVAL PASS HERE

Secondary school educators can choose a special Educator pass (with the same virtual and in-person options), which allow them to create a Student Access Login which their students can use to log on to individual devices.

Bundle passes are available for groups of five educators who wish to reduce the price of their pass by buying in bulk.

School discounts and board discounts are available by request until early April.

GET YOUR EDUCATOR PASS HERE

On a Budget? Check out our Patron Pass program.

Featured Speaker(s)

Photo of a middle-aged Iranian-American man with short dark hair, wearing a light blue button-ed up shirt. He sits outside against a suburban house background.
Abdi Nazemian
Bio
A photo of a Somali woman with curly hair. She wears dark-rimmed glasses and is laughing.
Ardo Omer
Bio
Photo of a middle-aged Iranian-American man with short dark hair, wearing a light blue button-ed up shirt. He sits outside against a suburban house background.

Abdi Nazemian

Abdi Nazemian is the author of four novels. His first, The Walk-In Closet, won a Lambda Literary Award. His most recent, Like a Love Story, was awarded a Stonewall Honor, and was chosen as one of the best books of the year by Entertainment Weekly, Audible, Buzzfeed, the New York Public Library and more. His screenwriting credits include the films The Artist’s Wife, The Quiet, and Menendez: Blood Brothers, and the television series Ordinary Joe, The Village and Almost Family. He has been an executive producer and / or associate producer on numerous films, including Call Me By Your Name.

A photo of a Somali woman with curly hair. She wears dark-rimmed glasses and is laughing.

Ardo Omer

Ardo Omer has written for online platforms as a reviewer and critic for almost a decade. She’s been a judge for a few kids comics awards and is an advisor at the Canadian Comics Open Library. Omer lives in Toronto, Ontario, where she serves as the Kids Coordinator for the Festival of Literary Diversity (FOLD).

The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.

Soraya Chemaly, author of Rage Becomes Her

Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!

Ben Philippe, author of Field Guide to the North American Teenager

The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.

Zetta Elliott, author of Dragons in a Bag

I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.

Harold Johnson, author of the memoirs Clifford and Firewater

Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.

Kathy Page, author of Dear Evelyn, winner of the 2018 Rogers Writers’ Trust Fiction Prize

Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.

Ian Williams, Author of the Giller Prize-winning novel Reproduction

FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.

Alicia Elliott, author of A Mind Spread Out On The Ground

The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.

Waubgeshig Rice, author of Moon Of The Crusted Snow

Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.

Ann Y.K. Choi, author of Kay’s Lucky Coin Variety

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