16. Curating and Assembling Anthologies
In this practical workshop, Zena Sharman, editor of The Care We Dream Of, unpacks helpful tips for writers and editors alike to consider for assembling collections that include a variety of voices.
Date: May 4, 2022
Time: 5:00 pm – 6:15 pm ET
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Zena Sharman is a writer, speaker, strategist and LGBTQ+ health advocate. She’s the author of three books, including The Care We Dream Of: Liberatory and Transformative Approaches to LGBTQ+ Health (published by Arsenal Pulp Press in the fall of 2021). Zena edited the Lambda Literary award-winning anthology The Remedy: Queer and Trans Voices on Health and Health Care. She’s also an engaging speaker who brings her passion for LGBTQ+ health to audiences of health care providers, students and community members at universities and conferences across North America.
The FOLD is a remarkable and wonderful event for authors and attendees alike. What an amazing community, dedicated to the vital need for inclusive stories and the critical role they play in building a better world.
Field Guide to the North American Teenager is my first novel and FOLD was my first Canadian literary festival. While American and Canadian culture overlap quite a bit, especially when it comes to bookshelves, Canadian literature is unique and I was very heartened by to be embraced by that community I consider home despite residing in the US. It was a homecoming I didn’t know I needed!
The Festival of Literary Diversity was an absolute joy–the organizers thought of *everything* and by anticipating authors’ needs, they freed us to focus on connecting with the audience and each other. There was no pretension, no posturing–just very genuine conversations with invested writers and engaged readers.
I have been to a lot of writers festivals and the FOLD is definitely near the top of the list of those I want to be invited back to.
Being part of such a clearly diverse, inclusive and mutually respectful group was thrilling and inspiring: a glimpse of a better world.
Wherever I go in Canada and find another writer of colour, we eventually end up gushing about how great the FOLD is, how by normalizing diversity it liberates us to talk to audiences about craft. It’s hard to imagine the literary landscape returning to a prehistoric pre-FOLD era.
FOLD is a festival experience unlike any other I’ve had. The FOLD team strive to create a space that’s welcoming and engaging, while allowing for curiosity, ingenuity and the fostering of real community – and they succeed, every year.
The FOLD is one of the most important literary events on this continent. By focusing on diverse voices and giving authors space to share their stories and speak their truths, it is revolutionizing the writing and storytelling realm as we know it.
Being part of the FOLD community has provided me with a strong sense of belonging. Sharing diverse stories and listening to different voices that broaden my understanding of the world has impacted me as a person and motivated me as a writer.